Sergio Trujillo has won the 2019 Tony Award for Best Choreography for Ain’t Too Proud: The Life and Times of the Temptations.
Read more on Broadway World.
The hardest workout in New York right now has got to be the one being demonstrated eight shows a week by the principal cast of Ain’t Too Proud: The Life and Times of The Temptations. The actors stepping in for the Motown group’s changing lineup over the years barley pause long enough in the linking scenes between numbers to catch their breath and let the sweat dry before launching into another spirited vocal performance with vigorous dance grooves to match. Sure, there are craft issues with a show that’s more narrated than dramatized; we’ll get to those in a minute. But as a fan experience, this high-energy tribute delivers big time.
Read the full article from The Hollywood Reporter.
NEW YORK- Lightning seemed to strike when “Ain’t Too Proud: The Life and Times of Temptations” arrived last summer at the Kennedy Center. And what do you know, it has struck again, at the Imperial Theatre, where this electrifying musical had its official Broadway opening Thursday night.
Read more on The Washington Post.
As befits a show about the Temptations, the most infectiously rhythmic of chart-topping R&B groups, “Ain’t Too Proud” keeps time in style. I don’t mean that solely in terms of a beat that makes you feel like dancing.
Read more on The New York Times.
Oh no, the heart sinks, another jukebox musical on Broadway. So many – Cher, Donna Summer – have been varying degrees of cringe.
But after leaving Ain’t Too Proud: The Life and Times of The Temptations, which opened Thursday at the Imperial Theatre (to Nov. 24), a happy revelation: This jukebox musical not only has life, it also has wit, intelligence, while also looking stunning and full of energy.
Read more on The Daily Beast .
A musical about the great Temptations is headed to Broadway. Ain’t Too Proud – The Life and Times of the Temptations, directed by Des McAnuff and produced by Ira Pittelman and Tom Hulce, will begin performances at the Imperial Theatre in spring 2019.
Producers describe the show as the “story of brotherhood, family, loyalty, and betrayal,” all playing out against a backdrop of civil unrest and set to Temptations classics like “My Girl,” “Just My Imagination,” “Papa Was a Rolling Stone,” the title track and many more of the group’s 42 Top Ten hits (a tally that includes 14 songs that topped the charts).
Read more from Deadline.
Ain’t Too Proud is the electrifying new musical that follows The Temptations’ extraordinary journey from the streets of Detroit to the Rock & Roll Hall of Fame. With their signature dance moves and unmistakable harmonies, they rose to the top of the charts creating an amazing 42 Top Ten Hits with 14 reaching number one. The rest is history — how they met, how they rose, the groundbreaking heights they hit, and how personal and political conflicts threatened to tear the group apart as the United States fell into civil unrest. This thrilling story of brotherhood, family, loyalty, and betrayal is set to the beat of the group’s treasured hits, including “My Girl,” “Just My Imagination,” “Papa Was a Rolling Stone,” and so many more.
Read more on the Time Square Chronicles.
London-based Saudi philanthropist and film producer Hani Farsi is venturing into TV production with two projects for high-end series, one on the advent of jet-set society and the other on Winston Churchill’s adventures as a young war reporter.
Through his Corniche Pictures, Farsi has optioned rights for the books “Swans —Legends of the Jet Society” by British journalist Nicholas Foulkes and to “Winston Churchill Reporting” by Simon Read. He intends to adapt both these properties into high-end series for which his company intends to fully finance development and a pilot episode. They are now in early development.
Read the full article from Variety.
There are always more windmills to tilt cameras at when it comes to Terry Gilliam’s Don Quixote.
Terry Gilliam’s The Man Who Killed Don Quixote is in a kind of show business hell. A deeply personal movie to the director, as all his films are – this is no journeyman helmsman, it’s been in the works since 1989. In the time it’s taken to make this movie, two movies about the making of it were made. The first, Lost in La Mancha from 2002, was a brilliant study of a failed production told in sad physical comedy. The team behind that film will continue the tale of the film and the director in the new documentary He Dreams of Giants.
Read more from Den of Geek!
The story behind “The Man Who Killed Don Quixote” and its impact on director Terry Gilliam will be revealed in the new documentary “He Dreams of Giants,” a film-behind-the-film from the same team that made 2002’s “Lost in La Mancha,” an earlier look at Gilliam’s disaster-plagued movie.
U.K.-based Quixote Productions, Fulton and Pepe’s Low Key Pictures, and Corniche Pictures are producing “He Dreams of Giants.” Lucy Darwin produces alongside Fulton, and is in Cannes talking to sales agents about the film, which is being edited. Ari Ioannides exec produces and provided the funding for “He Dreams of Giants” to go into production.
Read more on the film at Variety.