Gilliam has wanted to make a Don Quixote film since 1989 – in 2015 he unveiled this quote from the novel for a Valentine’s Day celebration in Edinburgh (Credit: Getty Images)
He’s been trying to make an adaptation of Cervantes’ novel for over 20 years. After stunning setbacks, it’s about to make its debut, writes Nicholas Barber on the BBC Culture website.
Given its rather explicit content and the nature of censorship of Indian films, the producers released it at the Wold Cinema Dramatic Competition at the Sundance Film Festival in January. The film got its global release on Netflix earlier this month.
Read the full article from the BBC here.
Some of the titles already have opened in their home countries, and will now stream in other territories instead of opening in arthouses. Other films, such as India’s Sundance hit Brahman Naman are premièring exclusively on Netflix.
Great article from Variety.
Corniche Pictures’ Hani Farsi is to produce Greenpeace activist drama Arctic 30, a feature based on the recently published book Don’t Trust, Don’t Fear, Don’t Beg by Ben Stewart, about the true story of 30 men and women who took on Russia’s largest oil company to save Earth’s most precious landscape. Read more on Deadline.
Polymath musician, writer and scourge/darling of the music press, Nick Cave has played a number of intriguing screen roles over the years. In John Hillcoat’s Ghosts… of the Civil Dead he was a psychotic inmate in a high-security prison descending into hellish self-destructive chaos. In Tom DiCillo’s Johnny Suede he played Freak Storm, a parodic rocker with a shock-white quiff singing songs about his daddy dying in the electric chair. Most notably he was a balladeer in Andrew Dominik’s brilliant (but underrated) The Assassination of Jesse James by the Coward Robert Ford, infuriating Casey Affleck’s hollow gunman with his inaccurate musical recounting of already legendary history.
Mark Kermode gives 20,000 Days on Earth a brilliant review on The Guardian.
Rock star and film-maker Nick Cave produces and stars in this sprightly, creatively enhanced documentary about the current state of his life, music and general psychospiritual equilibrium as he passes the 20,000-day mark – ie, mid-50s. It’s a time when any artist might start wondering about his or her career trajectory, and what his or her legacy might be.
Read the full film review on The Guardian.